Conflicting Images, Contested Realities

Issue 7, June 2015

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Conflicting Images, Contested Realities: An Introduction to Frames 7


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Goya on his Shoulder: Tim Hetherington, Genre Memory, and the Body at Risk


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New Ethical Questions and Social Media: Young People’s Construction of Holocaust Memory Online


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The War Tapes and the Poetics of Affect of the Hollywood War Film Genre


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A Revolution for Memory: Reproductions of a Communist Utopia through Tsui Hark’s The Taking of Tiger Mountain and Posters from the Cultural Revolution


Pic. 7. Scene from Britain’s effort, incorporated into La Libre Belgique.

The Long Life of Belgian WWI Documentaries in the Interwar Period


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“Not Bad for a Few Ordinary Girls in a Tin Hut” – Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama


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“Choirs of Wailing Shells”: Poetic and Musical Engagements in Derek Jarman’s War Requiem – between Documentary and Fiction


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Matricídio, or Queerness Explained to My Mother


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Bollywood Bodies: Turning the Gaze from Babes to Boys and Back Again in Farah Khan’s Happy New Year


Fig. 1 Two photographs from U.S. aerial gunner Ed Drew, taken in Afghanistan in 2013 using the same wet-plate collodion process used during the American Civil War.

Civil War Photography and the Contemporary War Film


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Argentine Documentaries on the Malvinas (Falklands) War: Between Testimony and Televisual Archive


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The British Docudramas of the Falklands War


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In Contrast: Croatian Film Today