Film and Moving Image Studies Re-Born Digital? Issue 1, July 2012 Guest-edited by Catherine Grant Editorial Introducing Frames By Fredrik Gustafsson Film and Moving Image Studies: Re-Born Digital? Some Participant Observations By Catherine Grant Notes on Editors and Contributors Feature Articles Cut, Paste, Glitch, and Stutter: Remixing Film History By Katherine Groo The Malleable Computer: Software and the Study of the Moving Image By Daniel Chávez Heras The Image as Direct Quotation: Identity, Transformation, and the Case for Fair Use By Jaimie Baron Labours of Love: In Praise of Fan Websites By Pam Cook Mapping Rohmer – A Video Essay By Richard Misek The Video Essay: The Future of Academic Film and Television Criticism? By Erlend Lavik In Touch with the Film Object: Cinephilia, the Video Essay, and Chaos Cinema By Matthias Stork Sparking Ideas, Making Connections: Digital Film Archives and Collaborative Scholarship By Sarah Atkinson Movie Tagger Alpha: Critical Tagging in Emerging Methods of Media Scholarship By Joshua McVeigh-Schultz Archive Film Material – A Novel Challenge for Automated Film Analysis By Matthias Zeppelzauer, Dalibor Mitrović and Christian Breiteneder P.O.V. Not in Print: Two Film Scholars on the Internet By Kristin Thompson Double Lives, Second Chances By Cristina Álvarez López In So Many Words By Adrian Martin You Get the Picture By Alexandra Juhasz Interface 2.0 By Kevin B. Lee Moving Pieces By Matthias Stork Some Reflections On My Video Essay Venture “Style in The Wire” By Erlend Lavik Film Studies with High Production Values: An Interview with Janet Bergstrom on Making and Teaching Audiovisual Essays By Matthias Stork and Janet Bergstrom Teaching the Scholarly Video By Christian Keathley Video Essays in the Cinema History Classroom By Kelli Marshall Bonus Tracks: The Making of Touching the Film Object and Skipping ROPE (Through Hitchcock’s Joins) By Catherine Grant Thirteen Notes: A Poetics of Cinematic Randomization By Nicholas Rombes A Universe of New Images By Girish Shambu Fair Use and Media Studies in the Digital Age By Steve Anderson Click Here To Print This Video Essay: Observations on Open Access and Non-Traditional Format in Digital Cinema and Media Studies Publishing By Andrew Myers Open Video Documentary By Patricia Aufderheide Video Rising: Remarks on Video, Activism and the Web By Michael Chanan Reflections on the Evolution of Cinema=Godard=Cinema By Glen W. Norton Research Blogging in Film Studies By Nick Redfern Blogging and Tweeting in an Age of Austerity By Fredrik Gustafsson Media Studies Makeover By Anne Helen Petersen Analysis of Film Colors in a Digital Humanities Perspective By Barbara Flueckiger Film Theories and Living Heterogeneity By Dominic Leppla Opening the Colonial Film Archive By Tom Rice Snakes and Funerals By Emily Jeremiah, James S. Williams and Gillian Wylde MASHING UP Derrida and Film By Joanna Callaghan Screenwriting 2.0 in the Classroom? Teaching the Digital Screenplay By Andrew Kenneth Gay Ask Not What Your Web Can Do For You – Ask What You Can Do For Your Web! Some Speculations about Film Studies in the Age of the Digital Humanities By Adelheid Heftberger