The Future of Horror Issue 11, May 2017 Editorial Letter from the Editors By Connor McMorran and Sarah Smyth Feature Articles No Safe Space: Economic Anxiety and Post-Recession Spaces in Horror Films By Joni Hayward This Footage is Yet to be Found: Outlast and the Found Footage Aesthetic By Madelon Hoedt “We Won’t Eat You, Dear”: The Collision of Class, Scales, and Body Horror in ‘The Lure’ By Agnieszka Kotwasińska The Reflection of Contemporary Anxieties in the Contemporary French Horror Cycle By Şirin Fulya Erensoy Beyond Killer/Victim: Re-Inventing Monsters in Israel Luna’s Ticked-Off Trannies with Knives By Evelyn Deshane VR Unleashes New Dimensions of Horror By Merinda Staubli Scary Business: Horror at the North American Box Office, 2006-2016 By Todd K. Platts and Mathias Clasen Reading The Scream in Berberian Sound Studio and the films of Peter Strickland By Matthew Melia Exhuming the Past: Found-Footage Horror and National Wounds By Duncan Hubber P.O.V. Thirty-Five Years of Middle-Class Fears: How Two Poltergeists Address Race, Class, and Gender By Paul Doro Book Reviews Mosaic Space and Mosiac Auteurs : On the Cinema of Alejandro Gonzalez Inarritu, Atom Egoyan, Hou Hsiao-Hsien, Michael Haneke Global Cinematic Cities: New Landscapes of Film and Media Queer Sexualities in Early Film: Cinema and Male-Male Intimacy