Frames Cinema Journal

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Innovation and Iteration: The Potential of Documentary
Innovation and Iteration: The Potential of Documentary
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Film Festivals: Aftermaths and Beyond
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The Future of Horror
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Rip-Off or Resourceful Creativity?
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Breaking Labels
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Going Viral: The Changing Faces of (Inter)Media Culture
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Conflicting Images, Contested Realities
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MondoPop: Rethinking Genre Beyond Hollywood
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Framing Animation
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Commies and Indians: The Political Western beyond Cold War Frontiers
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Film and Moving Image Studies: Re-Born Digital?
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ISSN 2053-8812

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The Future of Horror

Issue 11, May 2017

Editorial

Letter from the Editors

By Connor McMorran and Sarah Smyth


Feature Articles

No Safe Space: Economic Anxiety and Post-Recession Spaces in Horror Films

By Joni Hayward


This Footage is Yet to be Found: Outlast and the Found Footage Aesthetic

By Madelon Hoedt


“We Won’t Eat You, Dear”: The Collision of Class, Scales, and Body Horror in ‘The Lure’

By Agnieszka Kotwasińska


The Reflection of Contemporary Anxieties in the Contemporary French Horror Cycle

By Şirin Fulya Erensoy


Beyond Killer/Victim: Re-Inventing Monsters in Israel Luna’s Ticked-Off Trannies with Knives

By Evelyn Deshane


VR Unleashes New Dimensions of Horror

By Merinda Staubli


Scary Business: Horror at the North American Box Office, 2006-2016

By Todd K. Platts and Mathias Clasen


Reading The Scream in Berberian Sound Studio and the films of Peter Strickland

By Matthew Melia


Exhuming the Past: Found-Footage Horror and National Wounds

By Duncan Hubber


P.O.V.

Thirty-Five Years of Middle-Class Fears: How Two Poltergeists Address Race, Class, and Gender

By Paul Doro


Book Reviews

Mosaic Space and Mosiac Auteurs : On the Cinema of Alejandro Gonzalez Inarritu, Atom Egoyan, Hou Hsiao-Hsien, Michael Haneke


Global Cinematic Cities: New Landscapes of Film and Media


Queer Sexualities in Early Film: Cinema and Male-Male Intimacy


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