Film Festivals: Aftermaths and Beyond Issue 13, May 2018 Guest-edited by Dina Iordanova Editorial Letter from the Editors By Cassice Last and Sophie Hopmeier The Film Festival: Principal Node in Film Culture By Dina Iordanova Feature Articles Not Only Projections in a Dark Room: Theorizing Activist Film Festivals in the Lives of Campaigns and Social Movements By Lyell Davies Stories from the Margins: The Practicality and Ethics of Refugee Film Festivals By Sarah Breyfogle Commercialisation as a Tool: The Commercial Transformation of the Hong Kong Lesbian and Gay Film Festival By Heshen Xie Incestuous Festivals: Friendships, John Greyson, and the Toronto Scene By Antoine Damiens P.O.V. Tracing Bodo Film Festival: The Makings of a Local Film Festival By Ankush Bhuyan A “Farm System” in an Emerging Texas Film Festival Circuit By Ted Fisher Framed Space and Framing Spaces: 61st BFI London Film Festival in Review By Mina Radovic Book Reviews Film Festivals and Anthropology Activist Film Festivals: Towards a Political Subject Uruguayan Cinema, 1960-2010. Text, Materiality, Archive Silent Cinema: Before the Pictures Got Small The Children’s Film: Genre, Nation and Narrative Setsuko Hara Introduction: Setsuko Hara at St Andrews, and now in Frames By Dina Iordanova Space and Transition in the Films of Setsuko Hara By Alastair Phillips Setsuko Hara vs. the Press: The Post-war Trolling of a Wartime Icon By Jennifer Coates Hara Double at the Brattle By Joel Neville Anderson