Letter from the Editors

By Cassice Last and Sophie Hopmeier

The Film Festival: Principal Node in Film Culture

By Dina Iordanova

Not Only Projections in a Dark Room: Theorizing Activist Film Festivals in the Lives of Campaigns and Social Movements

By Lyell Davies

Stories from the Margins: The Practicality and Ethics of Refugee Film Festivals

By Sarah Breyfogle

Commercialisation as a Tool: The Commercial Transformation of the Hong Kong Lesbian and Gay Film Festival

By Heshen Xie

Incestuous Festivals: Friendships, John Greyson, and the Toronto Scene

By Antoine Damiens

Tracing Bodo Film Festival: The Makings of a Local Film Festival

By Ankush Bhuyan

A “Farm System” in an Emerging Texas Film Festival Circuit

By Ted Fisher

Framed Space and Framing Spaces: 61st BFI London Film Festival in Review

By Mina Radovic

Film Festivals and Anthropology

Activist Film Festivals: Towards a Political Subject

Uruguayan Cinema, 1960-2010. Text, Materiality, Archive

Silent Cinema: Before the Pictures Got Small

The Children’s Film: Genre, Nation and Narrative

Introduction: Setsuko Hara at St Andrews, and now in Frames

By Dina Iordanova

Space and Transition in the Films of Setsuko Hara

By Alastair Phillips

Setsuko Hara vs. the Press: The Post-war Trolling of a Wartime Icon

By Jennifer Coates

Hara Double at the Brattle

By Joel Neville Anderson