Frames Cinema Journal

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MondoPop: Rethinking Genre Beyond Hollywood

Issue 6, December 2014 Guest-edited by Elena Caoduro and Beth Carroll

Editorial

Letter from the Editors

By Eileen Rositzka and Amber Shields


Introduction: Rethinking Genre Beyond Hollywood

By Elena Caoduro and Beth Carroll


Feature Articles

Understanding A Serbian Film: The Effects of Censorship and File-sharing on Critical Reception and Perceptions of Serbian National Identity in the UK

By Alexandra Kapka


A Return to Japan? Restaging the Cinematic Past in Takashi Miike’s 13 Assassins

By Andrew Dorman


Commedia all’italiana: Rethinking Comedian Comedy Beyond Hollywood

By Natalie Fullwood


Like a Child Playing Dress-up? Genre, Authorship and Pastiche in Doomsday

By Daniel O'Brien


Sin nombre, Norteado, and the Contours of Genre and La Frontera

By Francisco R. Monar


Continual Re-enchantment: Tunde Kelani’s Village Films and the Spectres of Early African Cinema

By Nikolaus Perneczky


P.O.V.

British Action and Adventure: A National Take on a Global Genre

By Yvonne Tasker


The Quest for Latin American Science Fiction & Fantasy Film

By Alfredo Suppia


Notes on Nordic Noir as European Popular Culture

By Olof Hedling


Bollywood B-Movies: Cult Cosmopolitanism and the Reception of Indian Genre Cinema in the West

By Iain Robert Smith


Streaming World Genre Cinema

By Stefano Baschiera


Mondo Pop: the Challenge of Popular World Cinema

By Phoenix Fry


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