MondoPop: Rethinking Genre Beyond Hollywood Issue 6, December 2014 Guest-edited by Elena Caoduro and Beth Carroll Editorial Letter from the Editors By Eileen Rositzka and Amber Shields Introduction: Rethinking Genre Beyond Hollywood By Elena Caoduro and Beth Carroll Feature Articles Understanding A Serbian Film: The Effects of Censorship and File-sharing on Critical Reception and Perceptions of Serbian National Identity in the UK By Alexandra Kapka A Return to Japan? Restaging the Cinematic Past in Takashi Miike’s 13 Assassins By Andrew Dorman Commedia all’italiana: Rethinking Comedian Comedy Beyond Hollywood By Natalie Fullwood Like a Child Playing Dress-up? Genre, Authorship and Pastiche in Doomsday By Daniel O'Brien Sin nombre, Norteado, and the Contours of Genre and La Frontera By Francisco R. Monar Continual Re-enchantment: Tunde Kelani’s Village Films and the Spectres of Early African Cinema By Nikolaus Perneczky P.O.V. British Action and Adventure: A National Take on a Global Genre By Yvonne Tasker The Quest for Latin American Science Fiction & Fantasy Film By Alfredo Suppia Notes on Nordic Noir as European Popular Culture By Olof Hedling Bollywood B-Movies: Cult Cosmopolitanism and the Reception of Indian Genre Cinema in the West By Iain Robert Smith Streaming World Genre Cinema By Stefano Baschiera Mondo Pop: the Challenge of Popular World Cinema By Phoenix Fry