Letter from the Editors

By Eileen Rositzka and Amber Shields

Introduction: Rethinking Genre Beyond Hollywood

By Elena Caoduro and Beth Carroll

Understanding A Serbian Film: The Effects of Censorship and File-sharing on Critical Reception and Perceptions of Serbian National Identity in the UK

By Alexandra Kapka

A Return to Japan? Restaging the Cinematic Past in Takashi Miike’s 13 Assassins

By Andrew Dorman

Commedia all’italiana: Rethinking Comedian Comedy Beyond Hollywood

By Natalie Fullwood

Like a Child Playing Dress-up? Genre, Authorship and Pastiche in Doomsday

By Daniel O'Brien

Sin nombre, Norteado, and the Contours of Genre and La Frontera

By Francisco R. Monar

Continual Re-enchantment: Tunde Kelani’s Village Films and the Spectres of Early African Cinema

By Nikolaus Perneczky

British Action and Adventure: A National Take on a Global Genre

By Yvonne Tasker

The Quest for Latin American Science Fiction & Fantasy Film

By Alfredo Suppia

Notes on Nordic Noir as European Popular Culture

By Olof Hedling

Bollywood B-Movies: Cult Cosmopolitanism and the Reception of Indian Genre Cinema in the West

By Iain Robert Smith

Streaming World Genre Cinema

By Stefano Baschiera

Mondo Pop: the Challenge of Popular World Cinema

By Phoenix Fry