Letter from the Editors

By Hal Young, Rebecca Cavanagh, and Wesley Kirkpatrick

‘Every Kaiju Movie Ever Made’: Fan Collecting and Curation of the Kaijū Film

By Steven Rawle

Rules Were Meant to be Broken: Len Cella’s Moron Movies (1983) Provokes Love, Hate, and Confusion from the MTV, YouTube, and TikTok Generations

By Ted Fisher

Close But No Cigar: Latin American Films Awarded, Produced, But Considered?

By Karen Sztajnberg

Blood as a Fashion Statement: On the Trend of ‘Abjection Chic’ in Contemporary Horror Cinema

By Milo Farragher-Hanks

Jackson Jickson: exposed insularities in guerrilla filmmaking from ‘The Trinity Island’

By Maria Fernanda Miño Puga

The Voice of Meiko Kaji in 1970s Japanese Exploitation Cinema

By Ash Johann Curry-Machado

Curating Folk Horror: Anti-Canonisation, Critical Transnationalism, and Crossover Festival Programming

By Cüneyt Çakırlar

The Cult Afterlife

By Polly White

Abjection, postfeminism and the makeover in Miss Congeniality (2000)

By Clementine Vann-Alexander

Ten Skies

Reviewed by Richard Bolisay

Modernités de Charlie Chaplin: Un Cinéaste dans l’Œil des Avant-Gardes

Reviewed by Wesley Kirkpatrick

Cinema and Brexit: The Politics of Popular English Cinema

Reviewed by Dean Richards