Letter from the Editors

By Sarah Smyth and Connor McMorran

Reframing the remake: Dutch-Flemish monolingual remakes and their theoretical and conceptual implications

By Eduard Cuelenaere, Stijn Joye & Gertjan Willems

Café Lumière as Hou Hsiao-Hsien’s Own and as a Homage to Yasujiro Ozu

By Arthi Vasudevan

The Mystery of the Remake / The Power of the Rip-Off

By Dina Iordanova

Inspiration or Copy? Chinese Cinema Looks to Hollywood… and Korea

By Chris Berry

Implicit Solidarity: It’s Not Her Sin and Conflit

By Chris Fujiwara

United Arab Emirates Popular Cinema

By ABDULRAHMAN ALGHANAM

A Lazy Form of Betrayal: The ‘Remake’ and ‘Reboot’ in American Television Animation

By David Perlmutter

The Hindi Horror Cinema: Losing its Authenticity

By Vatsala Sharma

Unthinking Eurocentrism: Multiculturalism and the Media

By Dina Iordanova

Kantoku Ozu Yasujiro

By Chris Fujiwara

An Amorous History of the Silver Screen: Shanghai Cinema 1896 – 1937

By Chris Berry

The Documentary Tradition

By Deane Williams

Nomadities: The filmmaking of Marilú Mallet, Valeria Sarmiento and Angelina Vázquez

Dream Machine: Realism and Fantasy in Hindi Cinema