Rip-Off or Resourceful Creativity? Issue 10, December 2016 Editorial Letter from the Editors By Sarah Smyth and Connor McMorran Feature articles Reframing the remake: Dutch-Flemish monolingual remakes and their theoretical and conceptual implications By Eduard Cuelenaere, Stijn Joye & Gertjan Willems Café Lumière as Hou Hsiao-Hsien’s Own and as a Homage to Yasujiro Ozu By Arthi Vasudevan Video Supplement The Mystery of the Remake / The Power of the Rip-Off By Dina Iordanova Inspiration or Copy? Chinese Cinema Looks to Hollywood… and Korea By Chris Berry Implicit Solidarity: It’s Not Her Sin and Conflit By Chris Fujiwara United Arab Emirates Popular Cinema By ABDULRAHMAN ALGHANAM P.O.V. A Lazy Form of Betrayal: The ‘Remake’ and ‘Reboot’ in American Television Animation By David Perlmutter The Hindi Horror Cinema: Losing its Authenticity By Vatsala Sharma Bibliognost Unthinking Eurocentrism: Multiculturalism and the Media By Dina Iordanova Kantoku Ozu Yasujiro By Chris Fujiwara An Amorous History of the Silver Screen: Shanghai Cinema 1896 – 1937 By Chris Berry The Documentary Tradition By Deane Williams Book Reviews Nomadities: The filmmaking of Marilú Mallet, Valeria Sarmiento and Angelina Vázquez Dream Machine: Realism and Fantasy in Hindi Cinema
