Frames Cinema Journal

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Issue 17 The Politics of Colour Media
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Innovation and Iteration: The Potential of Documentary
Innovation and Iteration: The Potential of Documentary
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Film Festivals: Aftermaths and Beyond
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The Future of Horror
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Rip-Off or Resourceful Creativity?
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Breaking Labels
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Going Viral: The Changing Faces of (Inter)Media Culture
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Conflicting Images, Contested Realities
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MondoPop: Rethinking Genre Beyond Hollywood
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Framing Animation
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Commies and Indians: The Political Western beyond Cold War Frontiers
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Film and Moving Image Studies: Re-Born Digital?
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Rip-Off or Resourceful Creativity?

Issue 10, December 2016

Editorial

Letter from the Editors

By Sarah Smyth and Connor McMorran


Feature Articles

Reframing the remake: Dutch-Flemish monolingual remakes and their theoretical and conceptual implications

By Eduard Cuelenaere, Stijn Joye & Gertjan Willems


Café Lumière as Hou Hsiao-Hsien’s Own and as a Homage to Yasujiro Ozu

By Arthi Vasudevan


Video Essays

The Mystery of the Remake / The Power of the Rip-Off

By Dina Iordanova


Inspiration or Copy? Chinese Cinema Looks to Hollywood… and Korea

By Chris Berry


Implicit Solidarity: It’s Not Her Sin and Conflit

By Chris Fujiwara


United Arab Emirates Popular Cinema

By ABDULRAHMAN ALGHANAM


P.O.V.

A Lazy Form of Betrayal: The ‘Remake’ and ‘Reboot’ in American Television Animation

By David Perlmutter


The Hindi Horror Cinema: Losing its Authenticity

By Vatsala Sharma


Bibliognost

Unthinking Eurocentrism: Multiculturalism and the Media

By Dina Iordanova


Kantoku Ozu Yasujiro

By Chris Fujiwara


An Amorous History of the Silver Screen: Shanghai Cinema 1896 – 1937

By Chris Berry


The Documentary Tradition

By Deane Williams


Book Reviews

Nomadities: The filmmaking of Marilú Mallet, Valeria Sarmiento and Angelina Vázquez


Dream Machine: Realism and Fantasy in Hindi Cinema


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