Conflicting Images, Contested Realities Issue 7, June 2015 Editorial Conflicting Images, Contested Realities: An Introduction to Frames 7 By Eileen Rositzka and Amber Shields Feature Articles Goya on his Shoulder: Tim Hetherington, Genre Memory, and the Body at Risk By Robert Burgoyne and Eileen Rositzka New Ethical Questions and Social Media: Young People’s Construction of Holocaust Memory Online By Victoria Grace Walden The War Tapes and the Poetics of Affect of the Hollywood War Film Genre By Cilli Pogodda and Danny Gronmaier A Revolution for Memory: Reproductions of a Communist Utopia through Tsui Hark’s The Taking of Tiger Mountain and Posters from the Cultural Revolution By Nathan To The Long Life of Belgian WWI Documentaries in the Interwar Period By Natalia Stachura “Not Bad for a Few Ordinary Girls in a Tin Hut” – Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama By Cat Mahoney “Choirs of Wailing Shells”: Poetic and Musical Engagements in Derek Jarman’s War Requiem – between Documentary and Fiction By Caroline Perret P.O.V. Matricídio, or Queerness Explained to My Mother By Diego Costa Bollywood Bodies: Turning the Gaze from Girls to Boys and Back Again in Farah Khan’s Happy New Year By Amber Shields Civil War Photography and the Contemporary War Film By John Trafton Argentine Documentaries on the Malvinas (Falklands) War: Between Testimony and Televisual Archive By Mirta Varela The British Docudramas of the Falklands War By Georges Fournier Book Reviews In Contrast: Croatian Film Today By Ana Grgić