Conflicting Images, Contested Realities

Issue 7, June 2015

Conflicting Images, Contested Realities: An Introduction to Frames 7


Goya on his Shoulder: Tim Hetherington, Genre Memory, and the Body at Risk


New Ethical Questions and Social Media: Young People’s Construction of Holocaust Memory Online


The War Tapes and the Poetics of Affect of the Hollywood War Film Genre


A Revolution for Memory: Reproductions of a Communist Utopia through Tsui Hark’s The Taking of Tiger Mountain and Posters from the Cultural Revolution


The Long Life of Belgian WWI Documentaries in the Interwar Period


“Not Bad for a Few Ordinary Girls in a Tin Hut” – Re-Imagining Women’s Social Experience of the Second World War Through Female Ensemble Drama


“Choirs of Wailing Shells”: Poetic and Musical Engagements in Derek Jarman’s War Requiem – between Documentary and Fiction


Matricídio, or Queerness Explained to My Mother


Bollywood Bodies: Turning the Gaze from Girls to Boys and Back Again in Farah Khan’s Happy New Year


Civil War Photography and the Contemporary War Film


Argentine Documentaries on the Malvinas (Falklands) War: Between Testimony and Televisual Archive


The British Docudramas of the Falklands War


In Contrast: Croatian Film Today