Letter from the Editors

By Yuanxin Chu, Rachel Ng, Camila Contreras-Langlois

Berlin as It Was: Archival Footage and Lost Urban Spaces in Early Postwar German Cinema

By Nancy Wilson

The Logic of Disorientation: Exploring Space in Albert Serra’s Afternoons of Solitude

By Alexandra Semenova

So That You Can Live (1981) and the Crisis of the Welsh Landscape

By Oliver Dixon

The “Empty Centre” of Paris: Logics of Exclusivity in the Tourist Romance

By Harriet Idle

Documentary Meets Art Project: Remembering Post-3.11 Territories in The Double Layered Town (Haruka Komori and Natsumi Seo, 2019)

By Lucie Rydzek

Geology of Ideas, Hydrology of Matter: Nature and Space in Abbas Kiarostami’s Cinema

By Alborz Mahboobkhah

Civilisational Melancholy and Temporalised Space in Contemplative Science Fiction Cinema: A Phenomenological Study of Jóhann Jóhannsson’s Last and First Men

By Marcell Bárdos

Arboreal: Multispecies Industries of Forest Ecology and Documentary Filmmaking as Art of Attunement

By Jenny Holt

Look At This Mountain, It Was Once Fire: Film Interventions in Visualising Oil at Teapot Dome

By Alan Smithee

Blurring Space Across Film, Theatre and Virtual Reality: Zero-Calorie Restaurant (2023)

By Xunnan Li

Mapping Roma

By Jessica Wax-Edwards

Google Mapping Blow-Up: A Desktop Remediation

By Cáit Murphy

Man of Taste: The Erotic Cinema of Radley Metzger

Reviewed by Zoe Rogan 

Silent to Sound: British Cinema in Transition 

Reviewed by Jacob Browne

Choreographing Mexico: Festive Performances and Dancing Histories of a Nation

Reviewed by Camila Contreras-Langlois