Making Meaning of the Visual: Space and Identity Issue 14, December 2018 Guest-edited by Elisabetta Girelli Editorial Letter from the Editors By Darae Kim and Andrea Gelardi Feature Articles Video Essay: Human Trials – Cinema, Subjectivity, and the White Of/f the I By Padraic Killeen Digital Places, Feminine Spaces: Scotland Re-gendered in Twenty-first Century Film By Emily Torricelli Getting Hung Up on Continuity: Noisy Space in Michael Bay’s Transformers Series By Laurence Kent Popeye Doyle in the Rearview Mirror: Has the POV Shot Lost its Human Identity? By Ted Fisher Movie-Made Japan: Japanese Modernity and Narrative Space in Naruse Mikio’s Wife! Be Like a Rose! and Every-Night Dreams By Michael Sooriyakumaran Book Reviews The Contemporary Femme Fatale: Gender, Genre and American Cinema Popular Cinemas in East Central Europe: Film Cultures and Histories Wu Tianming Introduction: Wu Tianming at St Andrews By Dina Iordanova Video Essay: Remembering Wu Tianming By Chris Berry Video Essay: Wu Tianming and the Xi’an Film Studio in China By Peize Li Video Essay: Tribute to Wu Tianming By Xie Fei Video Essay: The Legacy of Wu Tianming By Wu Guangping In Memorial of Wu Tianming: An Anecdote and Some Notes By September (Quan) Liu Tianming Wu’s River Without Buoys: Socialist Realism and the Construction of the Post-Revolutionary State Ideology By Huimin Deng