Cultural Memories and National Ideologies: Exploring Political Myths Through Cinema

Issue 15, May 2019 Guest-edited by Philip Mann

Letter from the Guest Editor


Colourisation and the Archive: Repurposing World War One


Challenging the Hungarian Myth of the West: Üvegtigris/Glass Tiger and the Smokescreen of Neoliberal Capitalism.


Self-portrait of the Wrong-Eyed Jesus: The Mythical South Looking through the Mirror


Dramaturgies of the Negative. How Film Deals with Disconcerting Political History


Capturing Backstage. Representations of Democracy in Hollywood cinema


The Hunting Ground: A Tour de Force Marred by a Dangerous Myth


New Political Cinema, Asia, and Beyond: TEN YEARS


Interview with the producers of the TEN YEARS series: conducted, recorded, edited and subtitled by Leiya Lee


Video Essay: Clarence Tsui on Ten Years


Video Essay: Andrew Choi on Ten Years


Video Essay: Kwai-Cheung Lo on Ten Years


Video Essay: Vivian Lee on Ten Years


Video Essay: Felix Tsang on Ten Years


Video Essay: Laikwan Pang on Ten Years


Quietly Critical: Ten Years Japan


A Future Without China? Livelihood Issues in Ten Years Taiwan


Ten Years: An Unexpected Watershed of Twenty-first-century Hong Kong Film Industry


Ten Years Thailand: The Future Becoming


Ten Years: Bibliography and Filmography


Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men of the Future

Reviewed by Cassice Last


Shakespearean Star: Laurence Olivier and National Cinema

Reviewed by Ana Maria Sapountzi


Space in Romanian and Hungarian Cinema

Reviewed by Phil Mann


Contemporary Cinema and Neoliberal Ideology

Reviewed by Ian Fraser